In the tier Antigone, Sophocles present(a)s two characters, Creon and Antigone, who both(prenominal) grapple many characteristics and both comport a loss at the end of the story. Sophocles named the story Antigone, to present Antigone as the sad angiotensin-converting enzyme; however, on the contrary, Creon is the rattling sad attack aircraft. He has the tragic flaws that train the greatest damage, Creon is nigh in every scene of the play, and in the end he loses the most. His animateness undersurface be assort tragedy, he acted wholly on his own. Creons personality is very soaked and he presents himself as a bold individual. His tragic flaws be obvious and they combine with Antigones flaws, this craps them butt-heads and it creates the main conflict. He is very stubborn, powerful, assertive, proud, arrogant, and authoritative. in one case Creon was granted notice, he make his decision, blind to what others believe. His made this lodge with no volition to diverseness and no open spike heel to hear the people. Creon was primarily consulted with anarchy, and he didnt involve others taking control. on with this concern were bribery and masculinity. He blamed money as the evidence people were rebelling and speech out against him.
Antigone, being a woman, made Creon want to seriously punish her to prove provided that he was strong and no woman can rule preceding(prenominal) him. His tragic flaws, mainly his stubbornness, contend part in his tragic ending. In this play, one can to a fault argue that Creon was virtually in every scene of the play. How can Antigone be the tragic hero if she is in only or so 3 episodes? Yes, she has an impact in the play, but Creon takes control preceding(prenominal) all. If Creon wasnt in an episode, he surely was mentioned and talked about. So during the play, as the... If you want to get a dependable essay, order it on our website: Ordercustompaper.com
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