Aphoristic Dangers of Alexander Pope Essay -- essays research papers

If imitation is the sincerest flattery, then more(prenominal) than 250 years subsequently his passing Alexander pontiff deserves a spot in the ranks as peerless of the almost flattered writers of all time. His works have been dissected of every(prenominal) phrase of possible significance and spilled onto page-a-day calendars and books of wit across the world. The beauty of his crafty maxims is that they are not only memorable, but attempt to convey his school of thought with perfect poetic ingenuity. Unfortunately, his well-achieved goals of striking the reader more strongly (Man 2527), easy retainability of his words, and most decidedly, conciseness, also yield an undesired effect. Utilizing this dicey method of epigrammatic couplets for such(prenominal) serious issues, Pope sacrifices pieces of his intended message, for the sake of rhyme, leading to easily misleading and generalizing messages that are open to scathing criticisms, misunderstandings and the possible loss of his some of his topics integrity as well as a admiration of his own convictions. The keys to great aphorisms are their ability to be applied to more common situations, thereby making them even more memorable by their availability for frequent usage, their ear-catching prominence and their paradoxical nature. That final element is what makes aphorisms so engaging. The most witty and intelligent examples are those that expose two suppositious opposites for their ironic closeness and display the fine verge between contradiction in terms and a surprisingly parallel relationship between both.A pricey example of such a saying is found in line 213 of An Essay on Criticism. Trust not yourself but your defects to know, / Make practice of every friend - and every foe. Here Pope is in the advising stage of his Essay and uses the surprise ending and every foe as a display of irony, in that its not only the counsel of friends one needs to depend on, but the unabashed critique of ones riva ls that can prove useful, as well. It is these types of witticisms that are a notorious quality of essays in general, but the most enjoyable and artistic part of Popes works. Popes true genius is displayed in his one-line masterpieces that do not rely on rhyme to stay memorable. An Essay on Criticism is full of these. For fool rush in where an... ...cance of Popes use of epigrammatic couplets as his rhetorical device of choice in these two essays is that humankindy faults are found in such a method, for the sake of didacticism. True scholars would be able to take his message, had it instead been explicated in prose, and thoroughly, and without uncertainty, been able to learn and build upon his salient arguments. Were his goal merely to sack and entertain, then he did so exceptionally well while construction a legendary volume of aphorisms in the process, but if Pope was rightfully trying to develop and compose an argument for critique and the state of man to follow and imitate Nature, then essayistic prose following the models of Locke and Hobbes would have been more steal and less ambiguous.Works CitedPope, Alexander. An Essay on Criticism. The Longman Anthology of BritishLiterature. Volume 1C. Ed. David Damrosch, et al. young York Longman,1999. 2459-2478Pope, Alexander. An Essay on Man. The Longman Anthology of BritishLiterature. Volume 1C. Ed. David Damrosch, et al. New York Longman,1999. 2526-2535